Tuesday 27 May 2014

an Most Important Thing You'll Read About Social Marketing 

In a (sadly) anonymous article on Digiday, a social media manager makes some incredibly salient points about the state of social marketing. This Digiday article is the most important thing you'll read about social today.
I'll extract what I think the most important thing that Leslie (not their real name, but suitable for both genders) had to say (my boldening):
The underlying issue is that social departments place too much value on engagement. Those “likes,” “comments,” “shares,” “re-tweets” and “pins” are the metrics that social content creators use to 1) judge success and 2) dictate what future content looks like. Here’s the catch. The people who are engaging with that content are predominantly worthless. Seriously. That’s not to say that all users on social are worthless. But the ones who mindlessly “like” a brand’s Facebook post because an overt call-to-action told them to are. And wouldn't you know it, those are the users who are dictating a brand’s social content strategy. This is why the last five years have brought an influx of mindless social creative like “SHARE this post!” and “RT if you love Brand X.” They get engagements, and engagements supposedly equal success. And the vicious cycle keeps on turning.

Unpicking the vicious cycle

Let's unpick the vicious cycle. So Leslie has a client with a following on twitter or likes of Facebook or whatever. Leslie's client wants to serve (and ultimately super serve) that audience and will measure success by engagement rates (clicks, likes and retweets).
So far so good?
The problem is what is the Brand's social audience is off-brand? Anyone can like or follow a brand, so a clear and present problem is that people who are not in your target segment might not be following your Brand.
Leslie's client might be a luxury car manufacturer selling $80k cars whose audience is skewed towards 19 yr old men, earning $20k per annum (real example) or they might be a video-on-demand service targeting 25-30 year old men whose social audience is dominated by couponing stay-at-home-moms (real example).
In this case, producing engaging content for your audience means pushing your social channel further away from where you want to be. For the car audience, whatever appeals to 19-year old boy-men, not to the 35-55 year olds who can afford the car.
In the early days of social, with the goal of followers, brands didn't think too strategically about their audiences it was more 'never mind the quality, feel the width'. So yes, your social channels might be full of nonsense.
Even if they aren't - even if you have thoughtfully built an audience that hits the right interests and the right demographics, you still face a problem of adverse selection. That problem can also be summed up by Groucho Marx's line: "I don't want to join any club that will have me as member".
Now this isn't as strong as saying: "you don't want engagement from the kind of person who follows your brand" but it could be the case that in general the kind of people who like or follow brands are not the kind of people you would want to disproportionately focus your marketing efforts on. And that focus of effort is what we are discussing.
Imagine you are a high end airline whose profitability is driven by business class, long-haul travellers. Even if you succeed in getting a targeted audience to your Twitter handle, that audience will only represent a small portion of the audience that matters to you on Twitter.
Your problem looks something like the Venn diagram below. Do you optimise for the green audience (your followers), the dark blue audience (the target audience that matches your brand portrait through behaviours, psychographics etc), the pink audience (the most trusted, authoritative members within your target audience)?
You are also unlikely (unless you are a media brand) to attract trusted, popular, influential or authoritative voices within your audience. I don't have data I can share on this, but it is something we have seen replicated across dozens of brand accounts on different platforms.
Leslie, writing in Digiday, describes the world where much generation 1 and 2 social resides - optimising on the green, 'retweet to win".

Build the virtuous circle

Your priority - from the perspective of building an audience, from the choices you make from content marketing - should be to focus on the pink group primarily and the blue group secondarily, until the green and blue start to overlap more.
Why the pink group? The pink group represents the taste makers within the wider blue group. They represent the active, socially networked accounts which will drive the themes and content the rest of your audience cares about.
This group may or may not follow you. That doesn't matter. But this is the group which best represents where your brand wants to go. It may even take you places your brand doesn't feel comfortable going, but ultimately it is where your customers are.

Back to Leslie

Leslie (as I said not his or her real name) makes some other important points, not least thatFacebook is punishing asinine brand behaviour. Twitter for its part has always had a better model in our view for spreading great content.
Leslie should also take comfort that social, particularly the twitter platform, is a medium where people are gathering, conversing and chatting about the things they really care about. For brands that care about them, that is a bonus.

Wednesday 14 May 2014

Vine in 6 Seconds


How to Create Magic on Vine in 6 Seconds
On January 24th 2014 the developers of Vine celebrated its first birthday with a blogpost admitting that no one really knew what to expect back in January 2013.
To say that we’ve been blown away is an understatement.’
Perhaps more than anything else, this frank admission sums up a general sense of surprise surrounding the mercurial rise of Vine’s six second video sharing app; a medium that at first glance seems unduly restrictive and limited.
In the sixteen months since its launch we’ve witnessed a stream of hilarious six second set pieces and inspired stop motion zaniness created on Vine however. And what started as a stream, has become a raging river, with a userbase now in excess of 40 million.
With data from Unruly, suggesting that Vine shares have rocketed from five per second to nine, between April and June 2013, it’s not hard to see why brands left, right and centre are trying to jump onto the Vine bandwagon.
Here are some tips and insights into how you can create magic on Vine in 6 seconds!

A bit like tweeting

So what makes short form video so inherently sharable, when compared to traditional video formats like YouTube? Well it’s perhaps no coincidence that before it was even released, Vine was acquired by Twitter back in October 2012.
The potential Twitter saw in the short form video medium undoubtedly mimicked their own platform of what was once referred to as ‘micro-blogging’ (now superseded with the ubiquitous use of the verb ‘tweeting’; another example in a long tradition of brands colonising language – see: ‘biro’, ‘hoover’, ‘yo-yo’ and of course to ‘google’).
The brevity of the Vine was always going to be a natural accompaniment to the 140 character tweet and the evidence certainly bears out Twitter’s prudence in their early acquisition of the platform. Nearly a year and a half later and nine Vines are being shared every second on Twitter. That’s a lot.

Minutes and moments

Exploiting the explosive popularity of Vine has required a drastic change of mindset from the marketing community however. Harnessing Vine from a brand’s perspective involves an understanding of the difference between, what Jon Mowat at Hurricane Media calls, ‘minutes and moments’. With an average YouTube video clip coming in at 4:12 Vine’s mandated six second time limit allows just moments for the video marketer to work with. For those used to telling stories with minutes to spare, that’s a massive challenge.
     
With such a restrictive timespan one could be forgiven for thinking that Vine lends itself less to storytelling and more to isolated vignettes or clips. In essence, neither of these statements are entirely true.
However you look at it, six seconds does not create an ideal storytelling platform, but conversely, using Vine to create videos in isolation is an ineffective approach doomed to failure.  

Vine is the bridge in the gap between other platforms

What Vine does best from a marketing perspective is bridge the gap between other platforms. Vines need to form part of what marketers now refer to as a non-linear brand narrative. They help to complement existing stories, created on other mediums, or react to culturally relevant events as and when they happen. In this respect, Vines need to be seen as part of the wider social media landscape and incorporated into your overall marketing mix appropriately.
Vine’s moments must still form narrative beats, it’s just that the overarching narrative is found across multiple platforms.  

Magic Moments

The art of any successful video marketing campaign is in finding the balance between emotional elements with logical ones and then structuring these elements in a fashion most conducive to producing a given response. Typically adverts and marketing videos start with an emotional  grab before leading into the more logical elements such as product features or usage stats. Most marketing videos will then end with another emotional grab.
The call to action is usually hidden from view or buried in the subtext until this point, but often becomes more explicit in this last narrative beat. view or buried in the subtext until this point, but often becomes more explicit in this last narrative beat. 
       
With Vine it’s important to keep the narrative arc intact (beginning, middle and end) but unwise to try and combine logical and emotional elements. Arguably, with Vine it’s the latter of these that you really want to focus on, as an emotional grab will ultimately leave the viewer wanting more and prompt them to discover your content on other channels.
In properly joined up campaigns, Vines can therefore be seen as hors d’oeuvre to the main course, which will typically be higher budget, longer videos which will lend themselves to YouTube, Vimeo or television advertising.

It’s about creating a reaction

The breakdown in linear narrative shouldn’t necessitate you getting the story in the right order either, as each element of your campaign, from six second Vine to two minute YouTube video, should be self-contained, with its own beginning, middle and end. The difference is that Vine relies far more heavily on the rest of the video marketing narrative or significant cultural reference points to work most effectively.
Vine should always be seen therefore as encouraging interaction and often purely reactive. An obvious example of this is the use of Vines during large sporting events or other tent-pole events.

Show don’t tell

It’s important to remember the importance of visuals with Vine.
You can say a lot more in six brief seconds of film than you can with six seconds of words. “Show don’t tell” is a mantra often repeated by novelists but it can just as well be applied to Vine.
The stop motion functionality of the platform for example allows you to literally animate your products (Dunkin Donuts are well known for this technique) and have them as characters in your Vines.

Advice and Tips

Below are a few Vine essentials to get you going.
  • Use hashtags to help your Vines get found: This seems like an obvious one but it’s still one that gets forgotten.
  • Think community: The concept of community engagement should lie at the heart of every single Vine you make. Would you share your own Vine if you didn’t work for the company? If not then you probably need to go back to the drawing board.
  • Be creative and practical: Creativity and practicality need not be mutually exclusive in a non-linear brand narrative. Create informative and educational Vines (see GE’s Vines) can perfectly compliment the emotional appeal of your whacky stop motion Vines if used in the right context.
  • Be authentic: Seemingly obvious this one but probably the reason most brand Vines fail. Your goal is to get these shared so forcing your product down someone’s throat isn’t going to work. Aim to entertain and the rest should follow.
  • Create joined up campaigns: Your Vines should form part of a larger non-linear narrative and therefore not be created in isolation. Your narratives and themes should fit with your overall marketing narrative, or chime with relevant cultural events within your target communities.

Vine and Video Stats

  • Vine was the fastest growing app in 2013
  • On 6th July 2013 Vines surpassed Instagram videos in terms of shares
  • The largest age group active on Vine is 18 to 20 year olds
  • Mobile video traffic will increase by 1800% in 2016
  • 55% of all internet traffic will be video by 2016
  • Brand Vines are four time more likely to get shared than comparable video content on other platforms
  • 2/3 of all mobile data in the world will be video by 2017
  • Branded content accounts for 4% of the top 100 tracked Vines
  • Fashion, sports, automotive, tech and print are top 5 industries on Vine

So what about you?

Have you tried Vine? Have you even heard of it? Want to try it out?

Tuesday 6 May 2014

Hackers areThe Pirates of Today


The Pirates of Today Are Hackers and Their Cyber-Attacks Are Growing - www.collaboristablog.com
Given a digital context, pirates are generally associated with copyright infringement: sharing the intellectual property of others online for free, but seldom thinking of profit. Yet, if we take a historical look at pirates, what type of behavior do we see? Crippling attacks on strongholds. Theft of property. Terror tactics. They raid, they steal and they profit.
While pirates in the Imperial age evaded detection through masterful navigation of the vast open waters, today’s pirates avoid detection by masterful navigation of an open network. But torrent-based, copyright-infringing pirates are not really the biggest threat – the true pirates of today are hackers, and their pirate-army is growing.
Perhaps some of the blame for cyber-attacks could be attributed to the level of IT security some organizations have held themselves to – even the big players.  According to David Kennedy, a hacking expert charged with identifying security risks in the previously-compromised Healthcare.gov website, it took only 4 minutes to access a minimum of 70,000 personal records of Obamacare enrollees – a feat he accomplished directly from his browser.  Or take the notorious Target or Neiman Marcus data breaches; millions of people were affected.
For consumers, experiencing a data breach can be frightening. For organizations, it’s a nightmare.  The bottom-line is that we live a world where security matters – a place where it’s necessary for organizations to protect themselves against data breaches.
There are many ways an organization can prevent data theft and avoid regulatory implications of information loss – as a start, check out these six steps for data breach recovery and prevention.
CSOs and CISOs must become stricter with the security procedures and processes they put in place to ensure their cyber-security framework is strong and compliant. Because the pirates are out there – stealing invaluable information for personal gain. It’s time to batten-down the hatches.
- See more at: http://collaboristablog.com/2014/03/pirates-today-hackers-cyber-attacks-growing/?utm_source=outbrain&utm_medium=outbrain&utm_campaign=outbraincollaboristablog#sthash.BT4qicuy.dpuf